When was fog by carl sandburg written

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It's short, it's cute, and it makes sense. It's not every day we can say that here at Shmoop, but this time we really mean it. Carl Sandburg packs a big punch in his six-line poem, " Fog ," first published in But the punch isn't a mean one or a confusing one either. It's a cute one instead that looks like a kitty and gets us thinking about more than just fog and cats. And that's no easy feat, considering that each word belonging to such a short poem must carry lots of profound ideas to get us going.

To top it all off, Sandburg is known for speaking a "language of the people," meaning he's not trying to throw in a bunch of ideas and words that everyday folks can't really identify with. Using this kind of simple language could also explain why he packs so much meaning into so few words.

In fact, he's often compared to Walt Whitman because of the sort of ease and simplicity he demonstrates in his work without getting super-highbrow on us. The simple metaphors and imagery he uses captivate our imaginations and evoke a broad spectrum of emotions and ideas ranging anywhere between surprise, awe, and fear, to name a few. And since it's so short, you might even feel compelled to give it a few reads and see how many different ideas come to mind.

Besides it being short and simple, "Fog" looks cool too, and we're not just saying that because we have to. Imagine the creeping and quiet way a fog tends to roll in.

Sandburg was inspired to write it one day out walking near Chicago's Grant Park. He had with him a book of Japanese haiku, the short syllable poems that capture essences of the natural world. He was on his way to meet someone and had some spare time, so he wrote "Fog" and developed what is essentially a haiku into something more. Carl Sandburg wrote a great deal of poetry throughout his busy life and was also well known as a collector of American folk songs. He wrote a biography of Abraham Lincoln that is still a popular read today.

The fog comes on little cat feet. It sits looking over harbor and city on silent haunches and then moves on. It is a free verse poem, having no regular rhyme or set meter metre in British English. The poem is an extended metaphor, the poet seeing the fog as a cat that comes on tiny, silent feet, as cats do when they are stalking for example. Only a cat can move in such a way, almost imperceptibly, and in complete silence.

This poem captures a little of this feline mystery. The reader's mind becomes filled with this dual imagery of fog and cat, fog turning into a cat, cat morphing back into the fog. By doing this, the poet is introducing the idea that the fog is alive and is an entity. By keeping the lines short, the poet is controlling the pace, keeping it slow. As you read, you have to slow down because you're not too certain about the next word or line. This reflects the slow fog rolling in.

Fog meets cat; cat meets fog.